Augenmusik (re-enactment under the title Performative Walk)
live performance, streets of Aalst (Be) & live video broadcast
2021
Commissioned by Netwerk Aalst for the exhibition New Songs for the Old Cities, Netwerk Aalst, Aalst (Be)
courtesy of Katya Ev
ph Katya Ev, Alice Haddad, Elena Kuri, Frances Horn, Jesse Van Winden,
images (c) Katya Ev
The performance took place as an unauthorized action in public space, during national lockdown for Covid-19, prohibiting all manifestations, artistic events and gatherings in public spaces.
Llegal, and financial risks, including the potential fines, for using police flashlights were covered by Netwerk Aalst (Be).
Performers: 3
Carried object: police flashing lights
Location: streets of Aalst, Belgium
Time: twighlight (blue hour)
Route(s): From four starting points in Aalst to Netwerk Aalst (art center hosting the exhibition)
Length of route(s): 0,6km to 1,4 km
Travel time(s): 10min to 20min
Direct viewers: estimated around 100
Online viewers: estimated over 350
The live performance Augenmusik has expanded into a homologue body of works, sharing the same title (2016/2021) incl. re-performances, videos, photographs, installation, print editions etc.
Starting points of the walk
Action, low-budget chain store situated straight in front of the Aalst police station. The route passes through the wealthy area of the city, its historical center with the Grote Markt and the vivid shopping streets. The performer will put the light on inside Action.
OLV Hospital, large and renowned medical centre that serves the wider Aalst area. The route to Netwerk passes through the mixed working class area on the East side of the river. The performer will put the light on inside the reception hall accessible through the main entrance.
Aalst Bus Station, part of the central transport node of the city of Aalst, certainly the most lively location of Aalst that serve the working class commuters. The route to Netwerk passes by the Town Hall of Aalst and the bridge that connects the West and East sides of river Dender. The performer will put the light on Platform 1.
Performers
Aline Hernández (Mexico, 1988) is an art historian, curator and editor currently based in Brussels. Her research focuses on the emancipatory potential of photography for repressed groups of people. Since 2015, she has been part of artists’ and activists’ groups in Mexico and as a journalist has collaborated in amplifying numerous social struggles in the context of Mexico.
Mia Kreutz (Belgium, 1995) is a trans person, an apprentice guitar builder and a musician formerly working in the cultural sector in Brussels, originally from a rural German-speaking part of Belgium. She strongly believes in gender and racial equality, and a libertarian socialist feminist who is no stranger to police confrontations.
Hadassa Ngamba (Congo, 1993) visual artist currently based in Belgium. Through paintings, drawings, videos, installations and performance Ngamba reveals indicators of capitalist factors for controlling strategic spaces, notably land and mineral resources resulting in poignant social and environmental issues in Congo.
video documentation of live performance Augenmusik (Performative Walk), 2021, camera Katya EV, performer Alice Hernandez
In the present context of unprecedented restrictions of public life and repressive politics to control the current health crisis, three performers will silently and separately depart from different parts of the city of Aalst holding blue flashing lights, hereby following all current regulations. This walk relates to the Augenmusik (Paris, 2016), a performance where twenty-four performers departed simultaneously from each of the twenty-four “entrances” to Paris. Holding blue flashing lights in front of them, the participants walked from the Parisian ring towards the city center. The performance triggered a strong reaction that revealed the sense of panic embedded in society.
Indicated on the map of Aalst are the different trajectories of the three participants with their symbolically selected starting points. The light-bearers who lead the way represent a perspective on the medical sector, discrimination, gender, police violence, wealth inequalities and public life. You can follow them live online or encounter them in the streets of Aalst.The current covid-related measures are taken through a logic of emergency, crisis and necessity, but cause alarming situations in numerous other domains. Already for a longer time, authorities have embraced a ‘state of exception’. Conceived by the artist to not go against any applicable law, the walk makes visible to what extent the authorities themselves walk on the border of legislation. Katya EV & Jesse Van Winden
video documentation of live performance Augenmusik (Performative Walk), 2021, camera Katya EV, performer Alice Hernandez
Live broadcast of the performance (excerpt):
Credits:
Production: Katya Ev & Netwerk Aalst
Performers: Aline Hernández, Mia Kreutz, Hadassa Ngamba
Photo & video documentation: Katya Ev, Alice Haddad, Frances Horn, Jesse Van Winden, ELena Kuri
Live broadcast (cameras & broadcast): Netwerk Aalst
Acknowledgments : Jesse Van Winden
Related artworks & performance documentation
video based on live performance Augenmusik, 2018
Final scene at Les Halles - video based on live performance Augenmusik, 2016
The Art of Fugue
orchestrated on 24 sirens, making-of video, 2016
series of 24 objects —artefacts from live performance
Augenmusik, 2016
installation based on live performance
Augenmusik, 2018
silk print edition & photograph, 2020
photographs based on live performance Augenmusik, Paris, 2016
photographs based on live performance To Hear with Eyes, Palais de Tokyo (Fr), 2018
photographs based on live performance Performative Walk, Aalst (Be), 2021
Performance activations
Performative Walk, streets of Aalst (Be), 2021
Augenmusik, streets of Ghent (Be), 2019
To Hear With Eyes, streets of Turnhout (Be), 2020
Last, MHKA Antwerp (Be), 2020
To Hear With Eyes, Palais de Tokyo, Paris (Fr), 2018
Exhibitions of Augenmusik (selection)
exhibition Statecraft, EMST - Athens (Gr), 2022
exhibition New Songs for the Old Cities, Netwerk Aalst (Be), 2021
Do Disturb#4, Palais de Tokyo, Paris (Fr), 2018
solo exhibition Etat d'Exception, Galerie Dix9, Paris (Fr), 2018