Iceberg-18010813. Blue Room
photograph based on live performance, black&white print on duratrans, lightbox
60 x 90 x 15 cm
2018
5 + 1AP
ph Katya Ev, Charlene Flores
images (c) Katya Ev
Images 1 - 2: based on live performance Iceberg-18010813. Blue Room
image 3: view of the exhibition Etat d'Exception, Galerie Dix9, Paris (Fr), 2018
This lightbox shows the “situation constructed” by Katya Ev in Moscow in January 2018, for which they placed an advert on the private-to-private site offering a “space to realize your political choice”. After making contact exclusively by SMS, people were invited to go individually to an address where he found access to a room without having met any individual. During their stay in this space people could choose between taking a sleeping pill or surfing the dark web, like a dialectical alternative between falling asleep and awakening consciousness in a post-situationist tradition. The photograph emphasizes the blue color that floods the empty room where everyone is led to find themselves alone. This color evokes an underwater, artificial, digital world, an asphyxiating, hallucinogenic world, where paranoid self-control meets the possibility of unleashing one's impulses in a kind of radical indeterminacy. Fabien Danesi, Etat d'Exception, Galerie Dix9, Paris (Fr), 2018
Bibliography
2020 Bart De Baere, Conversation between Katya Ev and Bart De Baere, cat. In a Long Blink of an Eye, Hisk (Be)
2020 Katerina Gregos, Untitled (on Katya Ev)
2018 Pavlo Mitenko, Tactics Of Streets, Strategies Of A City, Political Art In The Epoque Of Conservative Turn, ed. MediaUdar, Moscow, 2018, p.
2018 Aurelia Declercq, Katya Ev, Etat d'Exception, Point Contemporain, Sept 2018
2018 Ivan Isaev, On Iceberg. Blue Room
2018 Olga Deruygina, The Fragility of the Edge (on Iceberg. Blue Room)